soimadou ibrahim (french, b. 1989) is an artist whose work is a profound exploration of memory, identity, and human connection. his artistic practice is a delicate tapestry woven from personal experiences, family history, and the nuanced complexities of diaspora. growing up in comoros until the age of 10, ibrahim's early life deeply shaped his artistic vision. the socio-economic landscapes of his childhood, the remarkable strength of community, and the intricate layers of racial identity became foundational to his creative narrative. later, his adolescent years in a small french town in brittany - a region in the west of France - further enriched his perspective, providing him a unique lens through which to examine the african diaspora's experiences.

ibrahim's artwork is a deeply personal archive—a visual dialogue between memory and imagination. each piece is carefully crafted from archival photographs, personal images, and the landscapes of remembrance. his technical approach is distinctive: bold gestural strokes, vibrant colors inspired by his background in graphic design, and precise lines that speak to both emotional depth and structural integrity. during his recent artist residency, ibrahim's creative journey took on new dimensions. the experience became more than an artistic retreat—it was a profound exploration of personal and collective memory. daily rituals transformed into sources of inspiration: morning walks, community interactions, and the simple act of buying fresh fruit reconnected him with memories of his childhood in comoros.

football emerged as a metaphorical language in his work, transcending mere sporting imagery to become a universal symbol of connection and shared human experience. white lines began to dominate his canvases, representing complex intersections of life, memory, and movement. these lines—reminiscent of football nets—became a powerful artistic vocabulary, capturing the rhythmic and unpredictable nature of human experience.the residency challenged ibrahim to move beyond traditional representational art. he embraced a more fluid, intuitive creative process, drawing inspiration from the immediate environment—election posters, taxi colors, everyday clothing. his work became an intricate exploration of rhythm, memory, and the profound connections that bind human experiences.

ibrahim's art is more than visual representation. it is a preservation of moments, a celebration of relationships, and an affirmation of life's beauty. through his work, he invites viewers to reflect on their own memories, encouraging a preservation of personal and collective narratives.